Diriye Osman said this quote

“ I wear makeup and I don dramatic attire because I like control. I’m not interested in controlling others but I’m invested in strict self-governance. This is why I don’t do many face-to-face interviews. I don’t like being caught off-guard. It all goes back to that attempt to create order amidst disorder. One of the most frightening things about losing your mind is that you feel like your body, your brain, every part of your essence is being invaded. There is such a palpable helplessness to that narrative and I hate the sense of victimhood that it implies. Certainly, this is how I felt during my moments of psychological disquiet. I felt like my personhood was under attack. Performativity is important to me because I’m the teller of my own stories. I have been performing these multiple roles for so long that they have bled into my identity. I have become the man that I always wanted to be. ”

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I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop slanguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest.

~ Diriye Osman

As her body expanded so did her interior landscape. She imagined minarets, skyscrapers, entire cities being constructed inside her. Thighs thickened, belly became basketball-sized, buttocks deepened with dimples. Even her taste-buds shifted, and she held her tongue out for crushed ice, chalk, charcoal.

~ Diriye Osman

I want you to know that life will try to crack you like an egg and your silence will eventually break. Someday you will spill some of those painful secrets and taste a modicum of much-needed freedom. You will lose a great deal as a result but the gains will outweigh every loss. You will love and be loved by a beautiful man in a place where your mutual passion won’t be a marker of shame but pride. You will be awkward and alone and alien for a long time but you will transform these qualities, which is to say yourself, into a work of art. You will wear your awkwardness, your aloneness and your alienness in your hair like gold thread. You will adorn your wonkiness on your wrist like a charm bracelet studded with stars.

~ Diriye Osman

She was a spiky teenager rebelling against the soul-suck mirror reflected back at her in her mother’s blank stare, her question mark of a spine. Determined to beat the odds, she completed high school with distinction. But there was a caveat. Beydan was allowed to roam and educate herself – up to a point. On her eighteenth birthday her Father sat her down and held out his Rolexed wrist. Studded with crystals and flecks of diamond, the watch dazzled in the light. All Beydan could hear, however, was tick-tock-tick-tick-tick-tick - time to neatly fold all her hard work, to parcel up her progress, send it to the attic in her subconscious and let dust gather on her dreams. There was a lump in her throat and a stopwatch in her womb.

~ Diriye Osman