Edward Fahey said this quote

“ After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.I have learned over the years, this ain’t so.As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.From then on, my friends; we have a story!By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn’t that.Until we reach the point where there is not a single word left anywhere in the book, that isn’t a vital, dynamic, organic contributor to the living whole. ”

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Harvey wanted to dive into his ugliness; he intentionally reached for those long hours of soul desolation. He waited. He paced, ready to face down whatever was to come.Paulette’s, though, busted loose uninvited, catching her completely off guard when she was already hurting, feeling crumbled, and vulnerable. When all she really wanted was some quiet gentle feelings for a change. A few flowers. Some sunshine. A way out of all that inner torment for even just a moment.Had she had brought only nastiness out of her childhood? Hadn’t there been anything sweet she could remember instead?As she wandered back to her cabin, searching for even a single fond memory, light faded everywhere around her.Aw, c’mon, she thought. Everyone had some happy childhood memories. She had to have at least a couple.How about the coloring? Children enjoy coloring; how about that? She’d spent hours and days on her art. It was as close as she could remember to having her Mamma stand over her with anything even remotely resembling approval. Her books and comics could be tales of Jesus, but coloring books had to be Old Testament because “No child’s impure hand could touch a crayon to the sweet beautiful face of our beloved Lord and savior Christ Jesus.”So the little girl had scrunched down over Daniel in the lion’s den. Samson screaming in rage, pain, and terror as they blinded him with daggers and torches. The redder she made the flowing wounds of a man of God shot full of arrows, the richer the flames around those three men being burned in an iron box, the longer Mamma let her stay out of that closet.- From “The Gardens of Ailana

~ Edward Fahey

Paulette awoke with an ache in her heart, a grinding in her gut. If there really was a God, why would He have let anyone put a child through that? …She had survived, but at what cost? She was an itinerant professor, living in her head, not her heart. She had broken away, but abandoned her sister; hadn’t contacted her family in years.Paulette wondered what she was looking for in these weekend workshops. Absolution wasn’t on the curriculum. What could she possibly hope to accomplish? To be a healer you need to connect with people. You need to touch, and let yourself be touched. And not just with your hands.Watching these nurses, she envied them their friendships. Here were real buddies truly caring about each other, taking jabs, sharing private jokes and fears. She’d never had that. Even witnessing it from across a room, or a yard, only made her feel that much more lonely.She got along with people well enough. Agreed with whatever they said, watched their pets, helped them move from one apartment to another. But no one really knew her.Paulette had never been flush with self-confidence. People took that as humility, but humility isn’t painful and crippling. She hadn’t yet learned that humble and self-destructive aren’t the same thing at all. They’re not even on the same team.And now here she was at a workshop for healers. Had she come here to heal; or to be healed?It was one of those warm, charming days that write poems about themselves, and then settle these very softly into your mind. Paulette sensed what felt like a rain-laced breeze stirring her soul; sodden, and yet beautiful; laden with both the dismal, and the promising.- From “The Gardens of Ailana”, a fiction largely based around adults still traumatized by having been abused as children, in the name of their parents’ religion.

~ Edward Fahey

Sometimes I wish I could feel more painso I could touch that much more beauty.

~ Edward Fahey

One thing an early-on writer has to learn, is to be comfortable with and responsive to critique. When five people in a group tell you this chapter sucks; don’t snap back at them with, “Sure, but it gets better in another 6 or 7 chapters!”Listen. – Thank them. – Consider.They can look from a fresh perspective, and catch things that you might be too close to see.But, you will also learn along the way that not everyone in a group of relative amateurs themselves, is going to catch everything, and there will be a few who seem to never understand much of anything.Some will always want paragraphs chopped down to explosive missiles of passion, while others are more used to long composite paragraphs that I myself find impossible to wade through.You may, once you have hit your full stride and power, feel comfortable telling a few of them, “Look. This isn’t a diner. I don’t take orders: ‘I’m gluten intolerant; he can’t do salt; she’s allergic to peanuts ...’“If what I offer is a salad bar, then No; I am not going to fry you up a cheesesteak!

~ Edward Fahey