Foz Meadows said this quote

“ We have so long been subject to external criticism that we don’t know how to react to internal criticism, because whereas the most enduring, positive and sensible response to the former is a united front – you shall not divide us, here we stand – responding to the latter is an entirely different ballgame.This is my fear: that as a community, we don’t know how to critique ourselves, and that this is dong us damage. Criticism, and specifically the criticism of both literary publications and the mainstream press, has so long been the weapon of the enemy that our first response on seeing it wielded internally is to call it the work of traitors. We have found strength in the creation of our own conventions and the hallowing of our own legends, flourishing to such an extent that, even if we are not yet accepted into the mainstream literary establishment, we are nonetheless part of the cultural mainstream. We are written about inaccurately, yet we are written about; and if there ever was a time when the whole genre seemed a precarious, faddish endeavour, then that time is surely past.Blog post: Criticism in SFF and YA ”

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True, life is complex. But so are a great many accidents.

~ Foz Meadows

Foz Meadows Complex Life Philosophy

As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart’s Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing.I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there’s no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you’ll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren’t so clear cut. Authors tell the stories they want to tell, and even if a number of them choose to write a certain kind of narrative either in isolation or inspired by their fellows, holding any one of them accountable for the total outcome would be like trying to blame an avalanche on a single snowflake. Certainly, we may point at those with the greatest (arguable) influence or expostulate about creative domino effects, but as with the drop that breaks the levee, it is impossible to try and isolate the point at which a cluster of stories became a culture of stories – or, for that matter, to hold one particular narrative accountable for the whole.

~ Foz Meadows

Foz Meadows Culture Literature Love Triangles Writing Writing With Intent Ya

Context is everything in both narrative and real life, and while the accusation is never that these creators deliberately set out to discriminate against gay and female characters, the unavoidable implication is that they should have known better than to add to the sum total of those stories which, en masse, do exactly that. And if the listmakers can identify the trend so thoroughly – if, despite all the individual qualifications, protests and contextualisations of the authors, these problems can still be said to exist – then the onus, however disconnected from the work of any one individual, nonetheless falls to those individuals, in their role as cultural creators, to acknowledge the problem; to do better next time; perhaps even to apologise. This last is a particular sticking point. By and large, human beings tend not to volunteer apologies for things they perceive to be the fault of other people, for the simple reason that apology connotes guilt, and how can we feel guilty – or rather, why should we – if we’re not the ones at fault? But while we might argue over who broke a vase, the vase itself is still broken, and will remain so, its shards ground into the carpet, until someone decides to clean it up.Blog Post: Love Team Freezer

~ Foz Meadows

Foz Meadows Criticism Minorities Narratives Writing Ya

For centuries, no one was concerned that books weren’t girl-friendly, because no one really cared if girls read; but even so, we persisted for long enough that literature has slowly come to accommodate us. Modern boys, by contrast, are not trying to read in a culture of opposition. Nobody is telling them reading doesn’t matter, that boys don’t need to read and that actually, no prospective wife looks for literacy in a husband. Quite the opposite! Male literary culture thrives, both teachers and parents are throwing books at their sons, and the fact that the books aren’t sticking isn’t, as the nature of the complaint makes clear, because boys don’t like reading – no. The accusation is that boys don’t like reading about girls, which is a totally different matter.Because constantly, consistently, our supposedly equal society penalises boys who express an interest in anything feminine. The only time boys are discouraged from books all together is in contexts where, for whatever reason, they’ve been given the message that reading itself is girly – which is a wider extrapolation of the same problem.

~ Foz Meadows

Foz Meadows Books Boys Reading Gender Reading