Marcus Speh said this quote

“ That night, Gregory dreamt of his mother. It was a dream that he'd have carried to his therapist like a raw, precious egg if he'd had a therapist, and the dream made him wish he had one. In the dream, he sat in the kitchen of his mother's house at the table on his usual place. He could hear her handle pots and pans and sigh occasionally. Sitting there filled his heart with sadness and also with a long missed feeling of comfort until he realised that the chair and the table were much too small for him: it was a child's chair and he could barely fit his long legs under the table. He was worried that his mother might scold him for being so large and for not wearing pants. Gregory, in the dream, felt his manhood press against his belly while he was crouching uncomfortably, not daring to move. ”

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Using something real does not destroy the fantastical, it underlines it.

~ Marcus Speh

Gerbert, by the window, shuddered; his mouth contorted. The witch began to twist faster and faster while her twin was talking to Gisela, mumbling to her, marching old holy words straight through the child’s ear into her skull, where they entered the bloodstream and looked for the enemy. The monk’s fingers twitched in the same rhythm and he found himself falling into a trance. He knew it would be dangerous to witness the witches brewing and dancing but there was an energy in it that he’d missed badly since he’d been asked to educate the young princess. Gerbert didn’t even notice when the hags stopped, tucked the girl in, rubbed the concoction on her lips and left for the unseen place from which they had come. Gisela healed quickly thereafter: The fever fell that same night and she asked for solid food the next morning. She had no memory of what had happened, but when she bounced on one leg across the meadow in the castle yard, she chanted a little melody that had not been heard in church, an odd melody that made Gerbert’s ears prick up because he sensed the uncanny in it.

~ Marcus Speh

The serious writer was aware of a paradox at the heart of his art: his inner world, the place of the strongest stories, was infinite, but it was also embedded in – if this was possible! – an even more infinite universe of all things to write about. It was like seeing the Grand Canyon from outer space – a huge gorge that looked like a thin trickle, impossible to miss, hard to hit.

~ Marcus Speh

I am a bomb but I mean you no harm. That I still am here to tell this, is a miracle: I was deployed on May 15, 1957, but I didn’t go off because a British nuclear engineer, a young father, developed qualms after seeing pictures of native children marveling at the mushrooms in the sky, and sabotaged me. I could see why during that short drop before I hit the atoll: the island looks like god’s knuckles in a bathtub, the ocean is beautifully translucent, corals glow underwater, a dead city of bones, allowing a glimpse into a white netherworld. I met the water and fell a few feet into a chromatic cemetery. The longer I lie here, listening to my still functioning electronic innards, the more afraid I grow of detonating after all this time. I don’t share your gods, but I pray I shall die a silent death.

~ Marcus Speh