Mrs. Oliphant said this quote

As Sandy and his wife warmed to the tale, one tripping up another in their eagerness to tell everything, it gradually developed as distinct a superstition as I ever heard, and not without poetry and pathos. How long it was since the voice had been heard first, nobody could tell with certainty. Jarvis's opinion was that his father, who had been coachman at Brentwood before him, had never heard anything about it, and that the whole thing had arisen within the last ten years, since the complete dismantling of the old house: which was a wonderfully modern date for a tale so well authenticated. According to these witnesses, and to several whom I questioned afterwards, and who were all in perfect agreement, it was only in the months of November and December that the visitation occurred. During these months, the darkest of the year, scarcely a night passed without the recurrence of these inexplicable cries. Nothing, it was said, had ever been seen - at least nothing that could be identified. Some people, bolder or more imaginative than the others, had seen the darkness moving, Mrs Jarvis said with unconscious poetry. (The Open Door)

~ Mrs. Oliphant

He was highly spoken of, everybody knew; but nobody knew who had spoken highly of him…

~ Mrs. Oliphant

The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. (The Open Door)

~ Mrs. Oliphant

In the park which surrounded our house were the ruins of the former mansion of Brentwood, a much smaller and less important house than the solid Georgian edifice which we inhabited. The ruins were picturesque, however, and gave importance to the place. Even we, who were but temporary tenants, felt a vague pride in them, as if they somehow reflected a certain consequence upon ourselves. The old building had the remains of a tower, an indistinguishable mass of mason-work, overgrown with ivy, and the shells of walls attached to this were half filled up with soil. I had never examined it closely, I am ashamed to say. There was a large room, or what had been a large room, with the lower part of the windows still existing, on the principal floor, and underneath other windows, which were perfect, though half filled up with fallen soil, and waving with a wild growth of brambles and chance growths of all kinds. This was the oldest part of all. At a little distance were some very commonplace and disjointed fragments of the building, one of them suggesting a certain pathos by its very commonness and the complete wreck which it showed. This was the end of a low gable, a bit of grey wall, all encrusted with lichens, in which was a common doorway. Probably it had been a servants' entrance, a backdoor, or opening into what are called the offices in Scotland. No offices remained to be entered-pantry and kitchen had all been swept out of being; but there stood the doorway open and vacant, free to all the winds, to the rabbits, and every wild creature. It struck my eye, the first time I went to Brentwood, like a melancholy comment upon a life that was over. A door that led to nothing - closed once perhaps with anxious care, bolted and guarded, now void of any meaning. It impressed me, I remember, from the first; so perhaps it may be said that my mind was prepared to attach to it an importance, which nothing justified. (The Open Door)

~ Mrs. Oliphant