Nicholas Gane said this quote

“ ... Protestantism, in its quest for 'rational knowledge' of God's purpose and for an understanding of this world, engendered its own demise, for it lent legitimacy to a secular science that in turn rejected and devalued all religious values. And in this respect, Protestantism effectively devalued or disenchanted itself, for in its attempt to prove its own intrinsic rationality through non-religious means it affirmed the value of science, and with this laid itself open to the charge of irrationalism and to attack from the outside from 'rational', secular forms of this-worldly legitimation. ”

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... Lyotard suggests that while discourse operates as a system of representation which defines meanings according to their relation to other concepts in that system, figure is the realm of the singular, of that which refuses to, or simply cannot, be captured and systematized by the concept.

~ Nicholas Gane

[Art] acts as 'an instrument allowing us to see through the gaps of dominant ideologies, and the source from which new methods could be drawn in the struggle against the system(s)'.

~ Nicholas Gane

In The Inhuman... Lyotard, like Weber, reminds us of the distinction between technological development and 'human' progress. He argues, in particular, that the development of technology, or 'techno-science', is driven by the quest for maximum efficiency and performance, and as such leads to the emergence of new 'inhuman' (technological) forms of control rather than to the emancipation of 'humanity'. Lyotard reasserts the instrumental nature of the modern system, arguing that 'All technology ... is an artefact allowing its users to stock more information, to improve their competence and optimize their performances'. In this view, techno-science may be seen to stand against all instances of the unknown, including the aporia of the future anterior, and thus to have little respect for forms which are different or other to itself. This is compounded by the fact that technological development is intimately connected to the drive for profit. Lyotard proposes that this directs the production of knowledge and conditions the nature of knowledge itself, for information, itself a commodity, is increasingly produced in differentiated, digestible forms ('bits') for ease of mass exchange, transmission and consumption, and with the aim of enabling the optimal performance of the global system.

~ Nicholas Gane

Lyotard develops and extends Weber's argument regarding the disenchantment of art to suggest the Western culture increasingly obeys an instrumental logic of performance and control, one that imposes order on the free play of the imagination and subordinates creative thought to the demands of the capitalist market. And, for Lyotard, the effects of this process are consistent with those outlined in Weber's work, namely the progressive elimination of ritual or religious forms of art, the restriction of creative forms by an instrumental (capitalist) rationality, and with this the denigration of value-rational artistic practice.

~ Nicholas Gane