Roland Barthes said this quote

“ I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera), and that this gesture is therefore perfect when it is performed unbeknownst to the subject being photographed. From this gesture derive all photographs whose principle (or better whose alibi) is “shock”; for the photographic “shock” consists less in traumatizing than in revealing what was so well hidden that the actor himself was unaware or unconscious of it. ”

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You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire. interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).

~ Roland Barthes

To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought...?

~ Roland Barthes

(Love’s atopia, characteristic which causes it to escape all dissertations, would be that *ultimately* it is possible to talk about love only *according to a strict allocutive determination*; whether philosophical, gnomic, lyric, or novelistic, there is always, in the discourse upon love, a person whom one addresses, though this person may have shifted to the condition of a phantom or a creature still to come. No one wants to speak of love unless it is *for* someone.).

~ Roland Barthes

…This singular reversal may perhaps proceed from the fact that for us the “subject” (since Christianity) is the one who suffers: where there is a wound, there is a subject: die Wunde! die Wunde! says Parsifal, thereby becoming “himself”; and the deeper the wound, at the body’s center (at the “heart”), the more the subject becomes a subject: for the subject is intimacy (“The wound…is of a frightful intimacy”). Such is love’s wound: a radical chasm (at the “roots” of being), which cannot be closed, and out of which the subject drains, constituting himself as a subject in this very draining.”―from_A Lover’s Discourse: Fragments_. Translated by Richard Howard, p. 189

~ Roland Barthes