Terri Windling said this quote

Like many of the kids I write about, I once was a runaway myself—and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, running away to Bordertown is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who runs away from a difficult or constrictive past to build a different kind of life in some new place. Some of us run away to college . . . or we run away to a distant city or state . . . or we run away from a safe, secure career path to follow our passions or artistic muse. We run away from places we don't belong, or from families we have never fit into. We run away to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of running away from home—the everyday, metaphorical kind—can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the magic that lights the way. she founded)

~ Terri Windling

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day....To me, it's all art, inside the studio and out. At least it is if we approach our lives that way.

~ Terri Windling

So let us praise the distinctive pleasures of re-reading: that particular shiver of anticipation as you sink into a beloved, familiar text; the surprise and wonder when a book that had told one tale now turns and tells another; the thrill when a book long closed reveals a new door with which to enter. In our tech-obsessed, speed-obsessed, throw-away culture let us be truly subversive and praise instead the virtues of a long, slow relationship with a printed book unfolding over many years, a relationship that includes its weight in our hands and its dusty presence on our shelves. In an age that prizes novelty, irony, and youth, let us praise familiarity, passion, and knowledge accrued through the passage of time. As we age, as we change, as our lives change around us, we bring different versions of ourselves to each encounter with our most cherished texts. Some books grow better, others wither and fade away, but they never stay static.

~ Terri Windling

These days I live in a magical little village on Dartmoor in Devon, England, and my special spot is a moss-covered rock in a circle of trees in the woods behind my house.I often go into the woods, or walk through the fields and hills nearby, when I need inspiration, or to work out a plot problem, or come up with an idea. I think better on my feet, particularly when there is beautiful countryside around me and a dog at my side.When I was younger and lived in big cities, I had special places there too. There's magic everywhere, if you look.

~ Terri Windling