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Logan folded his arms. His voice was granite.My word stands.Can you love an idea more than you love a man and not become a monster? How many friends will you sacrifice on the altar of Justice, Logan?If you force my hand, at least one.They were standing on a precipice. Socially, Logan had always been Kylar's superior. Morally, Kylar had always felt inferior, too. But they'd never been placed in a direct hierarchical relation. Now Logan was giving an order. He would not be moved.Kylar could only accept his order and accept all his orders henceforth, or reject it and them forever. There was a part of him that yearned to obey. He was convinced that killing Terah was the right thing, but Logan's moral compass was a more accurate instrument than Kylar's. What was it about submission that was so hard? Kylar wasn't being asked for blind servility. He was being asked to obey a man he knew and loved and respected, who in turn respected him.'The wolfhound is pampered by the fire. The wolf is hunted in the cold.'Do you know how much I love you, Logan? Kylar asked. Logan opened his mouth, but before he could say a word, Kylar said, This much. And left.

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The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.

~ Brent Weeks