Fanfare for the MakersA cloud of witnesses. To whom? To what?To the small fire that never leaves the sky.To the great fire that boils the daily pot.To all the things we are not remembered by,Which we remember and bless. To all the thingsThat will not notice when we die,Yet lend the passing moment words and wings.So fanfare for the Makers: who composeA book of words or deeds who runs may writeAs many who do run, as a family growsAt times like sunflowers turning towards the light.As sometimes in the blackout and the raidsOne joke composed an island in the night.As sometimes one man’s kindness pervadesA room or house or village, as sometimesMerely to tighten screws or sharpen bladesCan catch a meaning, as to hear the chimesAt midnight means to share them, as one manIn old age plants an avenue of limesAnd before they bloom can smell them, before they spanThe road can walk beneath the perfected arch,The merest greenprint when the lives beganOf those who walk there with him, as in defaultOf coffee men grind acorns, as in despiteOf all assaults conscripts counter assault,As mothers sit up late night after nightMoulding a life, as miners day by dayDescend blind shafts, as a boy may flaunt his kiteIn an empty nonchalant sky, as anglers playTheir fish, as workers work and can take prideIn spending sweat before they draw their pay.As horsemen fashion horses while they ride,As climbers climb a peak because it is there,As life can be confirmed even in suicide:To make is such. Let us make. And set the weather fair.Louis Macneice

~ Louis Macneice

During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.

~ Alice Jamieson