When two things occur successively we call them cause and effect if we believe one event made the other one happen. If we think one event is the response to the other, we call it a reaction. If we feel that the two incidents are not related, we call it a mere coincidence. If we think someone deserved what happened, we call it retribution or reward, depending on whether the event was negative or positive for the recipient. If we cannot find a reason for the two events' occurring simultaneously or in close proximity, we call it an accident. Therefore, how we explain coincidences depends on how we see the world. Is everything connected, so that events create resonances like ripples across a net? Or do things merely co-occur and we give meaning to these co-occurrences based on our belief system? Lieh-tzu's answer: It's all in how you think.
The word of God came down to man as rain to soil, and the result was mud, not clear water. (Bistami) Pg. 128
A very single fact could emerge into many versions of truth,depends on the number of eyewitnesses and interpretations.
When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear.
We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence and start a war. And one right word, or one kind word, can grant you the heavens and open doors.
In my opinion, Fiction is a figment of our imagination & it causes us to dream but Reality taints dreams, and the F.scott Fitzgerald has clearly depicted this in The Great Gatsby.
Theologians and other clerks, You won't understand this book, -- However bright your wits -- If you do not meet it humbly, And in this way, Love and Faith Make you surmount Reason, for They are the protectors of Reason's house.
All knowledge that is about human society, and not about the natural world, is historical knowledge, and therefore rests upon judgment and interpretation. This is not to say that facts or data are nonexistent, but that facts get their importance from what is made of them in interpretation… for interpretations depend very much on who the interpreter is, who he or she is addressing, what his or her purpose is, at what historical moment the interpretation takes place.
He who, while unacquainted with these writings, nevertheless knows by the natural light that there is a God having the attributes we have recounted, and who also pursues a true way of life, is altogether blessed.
For a great many skeptics are put to waste. But this is meant in the sense that which they vainly focus their energy on ridiculing a certain tiny denomination of Biblical fundamentalism, a denomination seated just one chair away from unbelief; they, the skeptics, cannot believe because they are the most literal of fundamentalists: of those that which must interpret Scripture only by means of a sort of obsolete and dead script of intellectual incompetence. By all means, this is supposed to happen - Scripture states of itself that all thought and interpretation is folly without the Holy Spirit - but on the other hand, it seems, ironically, that if one thinks that the Bible is, in its true essence, an outdated text, he doesn't know much about the world around him nor those who live in it. Either that, or he doesn't know much about what it says in relation to the world around him nor to those who live in it. It's as though he, too, is dead to the world and it to him. He has no spirit: he can only possibly understand Scripture as deceased rather than the modern world's very living narrative.
The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it.
To establish evolutionary interrelatedness invariably requires exhibiting similarities between organisms. Within Darwinism, there's only one way to connect such similarities, and that's through descent with modification driven by the Darwinian mechanism. But within a design-theoretic framework, this possibility, though not precluded, is also not the only game in town. It's possible for descent with modification instead to be driven by telic processes inherent in nature (and thus by a form of design). Alternatively, it's possible that the similarities are not due to descent at all but result from a similarity of conception, just as designed objects like your TV, radio, and computer share common components because designers frequently recycle ideas and parts. Teasing apart the effects of intelligent and natural causation is one of the key questions confronting a design-theoretic research program. Unlike Darwinism, therefore, intelligent design has no immediate and easy answer to the question of common descent.Darwinists necessarily see this as a bad thing and as a regression to ignorance. From the design theorists' perspective, however, frank admissions of ignorance are much to be preferred to overconfident claims to knowledge that in the end cannot be adequately justified. Despite advertisements to the contrary, science is not a juggernaut that relentlessly pushes back the frontiers of knowledge. Rather, science is an interconnected web of theoretical and factual claims about the world that are constantly being revised and for which changes in one portion of the web can induce radical changes in another. In particular, science regularly confronts the problem of having to retract claims that it once confidently asserted.
The true reader reads every work seriously in the sense that he reads it whole-heartedly, makes himself as receptive as he can. But for that very reason he cannot possibly read every work solemly or gravely. For he will read 'in the same spirit that the author writ.'... He will never commit the error of trying to munch whipped cream as if it were venison.
When you wake up from a dream you have only a few precious moments before the details of the dream begin to dissipate and the memory fades.Not all dreams are significant or worth remembering.But the ones that are . . . happen again.So, wait for the dream to return. And never be afraid. Instead, consider it an opportunity to learn something profound and possibly wondrous about yourself.
Some dreams tell us what we wish to believe. Some dreams tell us what we fear. Some dreams are of what we know though we may not know we know it. The rarest dream is the dream that tells us what we have not known.
All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
The Constitution is ink on parchment. It is forty-four hundred words. And it is, too, the accreted set of meanings that have been made of those words, the amendments, the failed amendments, the struggles, the debates—the course of events—over more than two centuries. It is not easy, but it is everyone’s.
[C]hange your thinking, your interpretation of he world, change the way you see! To change the way you see is to change the world. (50)
Everything is determined by your interpretation of what happens. You can change the meaning of what happens through your perception of events or memories.
The soul, fortunately, has an interpreter - often an unconscious but still a faithful interpreter - in the eye.
The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.
It is often said that great works of art are “inexhaustible”—capable, as Stanley Olson put it, of “endless interpretation. But Lubin, the Charlotte C. Weber Professor of Art at Wake Forest University, demonstrates in painful if inadvertently hilarious detail that this does not mean that works of art are immune from - that they are not in fact often subject to—wild and perverse misinterpretation.
We are told that in translation there is no such thing as equivalence. Many times the translator reaches a fork in the translating road where they must make a choice in the interpretation of a word. And each time they make one of these choices, they are taken further from the truth. But what we aren’t told is that this isn’t a shortcoming of translation; it’s a shortcoming of language itself. As soon as we try to put reality into words, we limit it. Words are not reality, they are the cause of reality, and thus reality is always more. Writers aren't alchemists who transmute words into the aurous essence of the human experience. No, they are glassmakers. They create a work of art that enables us to see inside to help us understand. And if they are really good, we can see our own reflections staring back at us.
To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.
I should like to write about what happens when fictive people encounter and are embellished by real people.
All readings are also mis-readings, re-readings, partial readings, imposed readings, and imagined readings of a text that is originally and finally never simply there. Just as the world is originally fallen apart, the text is always already enmeshed in contending practices and hopes.