Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committ

~ Christopher Hitchens

Hey Alecto, film this!” she called out. With the slide being as tall as a two-storey house, it felt slightly risky being up there. “On second thought, why don’t you come up here? It’s a blast being up here.”“I don’t really like to be in high places,” said Alecto as he filmed her, the camera lens reflecting the entire playground, which was partially secluded by tall trees that cast otherworldly shadows dancing across the ground.“If you don’t like being in high places, then why’d you take so many drugs in the seventies?” Mandy questioned jokingly. “Do you want me to go up there and push you off the top of that slide?” Alecto threatened coldly.“You’d never do that, we’re best friends!” Mandy pointed out. She reached over and picked a bright red maple flower from one of the long branches of the trees, tossing it down to him. “Even in this failing 21st century, where people are cell phone addicts and crude humor and violence is the norm, even when society falls apart and drowns in its own mistakes, we’ll still be best friends!” She looked incredibly eccentric, never mind the fact that she was an adult woman wearing a trippy rainbow Pucci dress from the 1970’s, standing on top of a slide at a children’s playground. Alecto didn’t seem to mind, he just continued to film her with his camera like she’d asked him to.

~ Rebecca Mcnutt