Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property.Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke.So, I feel terrible for poor Sir Arthur Conan Doyle, Jane Austen and Lewis Carroll, who must be spinning in their graves since they have no rights to their own works of fiction anymore. I'm all for readers being able to read books for free once and only when the deceased author's copyright eventually ends. Still though, did Doyle ever think in a million years that his wonderful characters would be dragged through the mud of every pervy fanfiction that the sick internet geek can think of to create? Did Carroll ever suspect that Alice and the Hatter would become freakish clown-like goth caricatures in Tim Burton's CGI-infested films? Would Austen really want her writing to be sold as badly-formatted ebooks?The sharing of this Public Domain content isn't really an issue. Stories are meant to be told, meant to echo onward forever. That's what makes them magical. That being said, in the Information Age, there's a real lack of respect towards the creators of this original content. If, when I've been dead for 70 years and I then no longer have the rights to my novels, somebody gets the bright idea of doing anything funny with any of those novels, my ghost is going to rise from the grave and do some serious ass-kicking.

~ Rebecca Mcnutt

Her gaze wavered towards one of the books on the sales counter beside the register, a hardcover copy of Shakespeare’s Hamlet with many of the pages dog-eared and stained with coffee and tea. The store owner caught her looking at it and slid it across the counter towards her. “You ever read Hamlet?” he questioned.“I tried to when I was in high school,” said Mandy, picking up the book and flipping it over to read the back. “I mean, it’s expected that everyone should like Shakespeare’s books and plays, but I just….” her words faltered when she noticed him laughing to himself. “What’s so funny, Sir?” she added, slightly offended.“…Oh, I’m not laughing at you, just with you,” said the store owner. “Most people who say they love Shakespeare only pretend to love his work. You’re honest Ma’am, that’s all. You see, the reason you and so many others are put-off by reading Shakespeare is because reading his words on paper, and seeing his words in action, in a play as they were meant to be seen, are two separate things… and if you can find a way to relate his plays to yourself, you’ll enjoy them so much more because you’ll feel connected to them. Take Hamlet for example – Hamlet himself is grieving over a loss in his life, and everyone is telling him to move on but no matter how hard he tries to, in the end all he can do is to get even with the ones who betrayed him.”“…Wow, when you put it that way… sure, I think I’ll buy a copy just to try reading, why not?” Mandy replied with a smile.

~ Rebecca Mcnutt

On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people.Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down.The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.Stories that are not my own.Funny, isn’t it? The power of story.It’s why I picked up a pen.I slay monsters, too.

~ Kameron Hurley